| TIME & PLACE | THEME | PRESENTERS |
|---|---|---|
13:00 – 14:30LECTURE HALL | PhD Panel 1Digital Storytelling Frontiers: VR Comics, YouTube Influence, and Educational VR Videos Moderator: Dr. Sarah Haynes | The Influence of Da’wa Messages to Audiences in Active Reception Theory’s Perspective
Designing Interactive Virtual Reality for Distance Learning from Professional Screenwriter’s Point of View
Adapting Stage Play to Virtual Reality Comics |
13:00 – 14:30HALMAHERA | Panel 1AActivism, Representation, and Filmmaking | 100% Manusia Film Festival As Cultural Activism, Strategic Cinephilia, And Queer Counterpublic In Indonesian Film Scheme
Unleashing The Power Of Communication Techniques For Child Actor In Crafting The Short Film “Di Balik Luka”
The Application Of Narrative Elements In Explaining The Premis of Expository Documentary Film Perayaan Detik Mengiringi Detak
Suffer, Alienated and Death: Representation of HIV/AIDS in Film “Mika” (2013) |
13:00 – 14:30SAPARUA | Panel 1BAnalyzing The Legacy of Moving Images | Historical Accuracy and Artistic Expression in 3D Digital Sculpting: Exploring Marcus Aurelius as Historical Representation
Bibliometric Analysis for a Decade of “Moving Image Cultures”
The Past and Present of Moving Images: Transcending the Boundary Across Departments in The Vocational Higher Education
Mardi And The Monkey (1953) By Kay Mander |
14:30 – 16:00LECTURE HALL | PhD Panel 2Exploring Cinematic Narratives and Soundscapes | The Past, Present, and Future of Cinematic Parallel Narratives
Touchable Animation: Touching The Sound In Expanded Animation
Resisting The Disappearance: Documentation Of The Endangered Boat-Building Knowledge In Indonesia |
14:30 – 16:00HALMAHERA | Panel 2AInnovative Scriptwriting in Film and Animation | Rejuvenating Script Format: The Use of Emoji in Scriptwriting. A Case Study on ” Kenapa Gue?” in OTT Vidio Series
Case Study of Transformation from Comic to Adaptation Animation “TICKLE FICKLE”
Building Script of Jump Scare Scene in Most Watched Indonesian Horror Box Office Film “KKN Di Desa Penari”: A Descriptive Study |
14:30 – 16:00SAPARUA | Panel 2BNarratives Exploration and Moderator: | Reflective Subjectivity in Audiovisual Nonfiction: Empowering Global South Media Makers and Decolonizing Storytelling
Character Creating Process And Meaning Of “GWK” Winning Citra Trophy 2015 Animation As Preservation Of Balinese Mythology
Gatotkaca Mutung: An Identity Project Transforming Pulung Gantung Into A Platform for Gatotkaca in Sandosa Cinema
The Use of Religious Identity In The Narrative Of The Film Qorin (2022): A Study Of New Historicism |
| TIME & PLACE | THEME | PRESENTERS |
|---|---|---|
09:00 – 10:30LECTURE HALL | Panel 3AEnhancing Viewer Experiences Moderator: | More Than Just Playing: The Pleasure Of Online Game Players
Usability Testing In Virtual Reality Based Interactive Film “Cahaya Cinta Perlahan Menyilaukan”
Mission Possible: Creating A Spectacle With A Repetition Of The Same Formula
Effectiveness Of Visual Reading Technique In Movie Screening For Audiences With Visual Impairments At Bioskop Berbisik Of Sentra Abiyoso Cimahi |
09:00 – 10:30HALMAHERA | Panel 3BThe Art of Visual Design In Moderator: | Concept Art for 2D Animation Film Adaptation of Short Story “Colorful Mind”
Implementation of Conflict in Creating Rip-O-Matic for Feature Film: Telusur Silah
Environmental Design on Creative Design Incubation of “Legacy of Moksha”
Batik Kawung as Key Visual for The Graduation Ceremony of The UMN |
09:00 – 10:30SAPARUA | Panel 3CAesthetic and Genre Analysis in Film Moderator: | Artistic Analysis in The Film “Habibie & Ainun 3”
The Application Concept of Mise En Scene to Achieve Romance Genre and Setting Film 1980’s in Film Gita Cita dari SMA
Next Level of Y2K Fashion Trend In AESPA “Spicy” Music Video
Humor Characterization Analysis in “My Stupid Boss” Indonesian Comedy Movie |
10:30 – 12:00LECTURE HALL | Panel 4ACinematic Techniques and Ethical Dimensions | Technical Immersion On Learning Basic Lighting In Virtual Reality Film Cahaya Cinta Perlahan Menyilaukan
Narration Effectivity With Artificial One-Shot Cinema In Dungeons & Dragons: Honour Among Thieves
Ethical Integration of Al in Animation Studies: Fostering Lifelong Learning, Responsible Decision-Making, And Human Creativity |
10:30 – 12:00HALMAHERA | Panel 4BAnimating Stories: Design and Execution Moderator: | Final Project Two-Dimensional Animation Design For The Short Story “Ibu?”
Environmental Visual Concept Of Hybrid Animated Film ” Si Dulang” for Fine Dining Projection Mapping
Designing A Short Animation Film “Jelajah Bersama Fara” Getting to Know Yogyakarta Culture |
10:30 – 12:00SAPARUA | Panel 4CCharacter Analysis and Personification in Visual Media Moderator: | The Analysis of Freud Theory on Psychological Aspects of The Main Character in Movie “Everything Everywhere All At Once” (2022)
Character Convention of The Heist Film Subgenre in Stealing Raden Saleh (2022)
Analysis Of Personification and Anthropomorphic Design Theory Of “Kiko And Friends” Animation |